Choir Stalls

Overview

Nestled within the majestic Lausanne Cathedral, a prominent Gothic masterpiece in Lausanne, Switzerland, the Choir Stalls offer a captivating glimpse into centuries of craftsmanship and ecclesiastical history. While the cathedral itself impresses with its grand scale and architectural harmony, the choir stalls stand out as intricate works of art, inviting a closer look into their detailed carvings and rich past. They are not merely functional seating; they are a testament to the artistic and spiritual devotion that shaped this significant Swiss landmark.

Visitors can discover different sets and fragments of these historic stalls. A notable set, dating from around 1500, resides in the Montfalcon Chapel, situated in the base of the never-completed northwest tower. Additionally, smaller, original sections from the 13th century can be viewed when ascending the cathedral's tower, providing a layered historical experience as one explores the building's heights.

History & Cultural Background

The history of the Choir Stalls is deeply intertwined with that of Lausanne Cathedral, which began construction as early as 1170 and was consecrated in 1275 by Pope Gregory X. The stalls themselves reflect different periods of the cathedral's long life. Dendrochronological analysis on several oak elements indicates that the timber used for some parts was felled no earlier than 1274, placing their creation around 1275, coinciding with the cathedral's formal inauguration.

These wooden masterpieces have endured significant historical shifts, including the Protestant Reformation in 1536, which saw much of the cathedral's art and furnishings removed or destroyed. Fortunately, the choir stalls largely survived, albeit with some sections showing signs of iconoclasm from the 16th century, where features like noses and eyes of carved figures were sometimes removed.

Over time, the stalls have undergone periods of dismantling and reinstallation for preservation. For instance, in 1985, they were carefully taken apart for stability assessments and archaeological analysis, remaining in storage for nearly three decades before their reinstallation. This meticulous care underscores their recognized historical and artistic value.

What Makes It Special

What sets the Choir Stalls apart is their exceptional artistry and historical depth. Crafted from oak, these stalls feature strongly worked and intricately sculpted elements that reveal the skill of medieval artisans. Among their most distinctive features are the misericords, small hinged seats that provided support to clerics during long services, often adorned with fascinating and sometimes whimsical carvings.

The stylistic details are particularly noteworthy; despite the width of the wood planks, details like the emaciated faces, the graceful character of the figures, and precise renderings of a deacon's face or angels are still evident. These carvings serve as a historical record, not just of religious practice but also of the prevailing artistic styles and even societal humor of the era.

Furthermore, the Lausanne Choir Stalls are celebrated for including one of the earliest monumental depictions of the 'Lay of Aristotle.' This unusual theme, featuring the philosopher Aristotle being ridden by Phyllis, is a secular narrative within a sacred space, making it a unique and intriguing detail for visitors to discover.

Stories, Fun Facts & Local Details

Imagine the cathedral in its early days, filled with the murmur of prayers and the rustle of vestments, as clerics occupied these very stalls. The presence of the 'Lay of Aristotle' carving, which humorously depicts Aristotle humbled by a woman, offers a delightful contrast to the typically solemn religious themes found in cathedrals. It hints at a medieval sensibility that appreciated both spiritual devotion and earthly tales, even within the most sacred of settings. This particular carving is considered a rare and early example of such a depiction in a monumental form.

The meticulous work of dendrochronology, dating the wood to approximately 1275, allows us to pinpoint the exact period when these oak trees, which now form the stalls, were part of a living forest. This scientific insight connects the modern visitor directly to the very beginnings of the cathedral's complete form. The subsequent efforts to dismantle, study, and carefully restore the stalls, recovering 13th-century misericords that had been misplaced, highlight the ongoing dedication to preserving Lausanne's rich heritage.

Visitor Perspective

For a curious traveler, encountering the Choir Stalls within Lausanne Cathedral is a journey back in time. While the grand nave and stunning rose window draw immediate attention, taking the time to explore the choir area offers a more intimate and detailed appreciation of medieval artistry. Whether you spot the circa 1500 stalls in the Montfalcon Chapel or the older 13th-century fragments while climbing the tower, each piece tells a part of the cathedral's enduring story.

The sheer detail in the carvings, from the faces of saints to the unexpected humor of the misericords, provides a rich visual narrative. It's an opportunity to connect with the past through the tangible work of human hands, marveling at the patience and skill of artisans from centuries ago. The stalls are not just museum pieces; they are integral to the living history of the cathedral, silently witnessing centuries of services, ceremonies, and the ceaseless flow of time. They offer a peaceful moment of reflection on the passage of history and the enduring power of art and faith.