Asian Pavilion

Overview

Tucked away within the expansive grounds of Amsterdam's iconic Rijksmuseum, the Asian Pavilion stands as a modern architectural marvel dedicated to the vast artistic traditions of Asia. Opened in 2013 following the main museum's decade-long renovation, this distinct, detached building is connected to the Rijksmuseum by a subtle hallway, offering a serene contrast to the grand, 19th-century main structure. Designed by the acclaimed architects Cruz and Ortiz, the pavilion provides a dedicated space for a rich collection spanning four millennia of Asian art, inviting visitors on a journey through diverse cultures without leaving the heart of the Netherlands.

History & Cultural Background

The Rijksmuseum's engagement with Asian art has deep roots, with an Asian Art department formally established in 1952. This significant development occurred when the Royal Asian Art Society in the Netherlands donated its extensive collection to the museum. For decades, parts of this collection were displayed within the main Rijksmuseum building. However, the unique nature and chronological breadth of Asian art often presented curatorial challenges within the historical narrative of Dutch and European masterpieces. The solution arrived with the comprehensive renovation of the Rijksmuseum, culminating in the opening of the purpose-built Asian Pavilion in 2013. This new structure was specifically conceived to house a collection that, by its very essence, fell outside the chronological imperative of the main display, allowing for its distinct presentation. The collection comprises numerous objects on long-term loan, many from the Royal Asian Art Society, reflecting a history of appreciation and acquisition often tied to the Netherlands' historical connections with various Asian regions. While the pavilion beautifully showcases these artworks, some scholarly discussions highlight the importance of also acknowledging the complex histories of acquisition, including aspects related to colonial pasts.

What Makes It Special

The Asian Pavilion is special not only for its invaluable contents but also for its striking design. Architects Cruz and Ortiz conceived a building of Portuguese sandstone and glass, cleverly surrounded by water, featuring oblique surfaces and unusual sightlines that create a captivating visual experience. The design itself serves as an artwork, setting a tranquil atmosphere that complements the art within. Inside, the pavilion brings together approximately 350 objects from a vast reservoir of Asian art. The collection spans an impressive period from 2000 BC to 2000 AD, showcasing artifacts from countries including China, Japan, Indonesia, India, Vietnam, Thailand, Pakistan, and Korea. Visitors can marvel at masterpieces such as the powerful Shiva Nataraja bronze from India, the serene Bodhisattva Manjushri from Indonesia, and the imposing Japanese temple guardians. Exquisite Chinese Song dynasty ceramics, intricate Japanese kimonos, and some of the earliest photographs of India also form part of this diverse and rich display. The curators continuously refresh the experience by presenting new thematic stories from the collection every six months, ensuring that each visit offers new discoveries.

Stories, Fun Facts & Local Details

One thoughtful design choice within the Asian Pavilion is the incorporation of natural light, particularly on the upper floor. This allows the bronze and stone statues from the Indian and Indonesian collections to be viewed under daylight, enhancing their intricate details and spiritual presence in a way that artificial lighting often cannot. The presence of the large, 'scary-looking' Japanese temple guardians, often described as 'warriors' or 'wooden evil figures' by visitors, makes them a consistently popular highlight, symbolizing protection and power. Beyond individual pieces, the pavilion also explores themes of cultural exchange, such as the interactions between India, Iran, and the Netherlands during the 16th and 17th centuries. The ongoing display methods sometimes prompt reflection on the complex narratives surrounding the acquisition of such art, encouraging a deeper understanding of cultural heritage and historical context.

Visitor Perspective

For any curious traveler, the Asian Pavilion offers a uniquely contemplative experience. It provides a peaceful respite from the often bustling main galleries of the Rijksmuseum, its distinct architecture and tranquil surroundings immediately setting a different tone. The seamless connection via a hallway from the main building allows for an easy transition into a world focused solely on Asian artistic expressions. The thoughtful arrangement of objects and the contextual information provided guide visitors through the diverse cultures, making the rich history accessible and engaging. Whether one is drawn to ancient spiritual sculptures, refined ceramics, or vibrant textiles, the pavilion invites focused contemplation and offers an immersive journey through the art of Asia.