Stepping into the Collection de l’Art Brut in Lausanne, Switzerland, one discovers a profound sub-spot of 'Artist Installations' – not in the conventional sense of curated, contemporary art setups, but as the expansive, deeply personal artistic worlds created by self-taught individuals. These installations are the physical manifestations of complex inner lives, often extending beyond single artworks to encompass entire environments or vast, intricate series of objects. They invite visitors to immerse themselves in unique creative universes, transcending traditional artistic boundaries and offering an unfiltered glimpse into the human psyche.
The concept of Art Brut, or 'raw art,' was coined by French artist Jean Dubuffet in 1945. He sought to identify and celebrate art created outside the mainstream, free from cultural conditioning, academic training, and the pursuit of fame. Dubuffet was particularly interested in the works of marginalized individuals – psychiatric patients, recluses, and prisoners – whose creations were born purely from internal necessity.
His vision culminated in the donation of his vast collection of approximately 5,000 works to the City of Lausanne in 1971, leading to the opening of the Collection de l’Art Brut in 1976 within the Château de Beaulieu. Within this historical context, the 'Artist Installations' are understood as the comprehensive artistic output of these creators, where their methods and materials, often unconventional, formed cohesive and sometimes environmental bodies of work.
What makes these 'Artist Installations' truly special is their unparalleled authenticity and raw expressive power. Unlike art made for public consumption, these works are direct translations of an individual's internal world, crafted without external influence or concern for artistic trends. The sheer scale and meticulous detail of many pieces, often fashioned from everyday or unconventional materials like cardboard, wire, or natural elements, draw visitors into a deeply personal narrative. The museum's curatorial approach, including its distinctive black walls, enhances this immersive experience, creating a contemplative atmosphere that allows the works to speak for themselves, unfiltered and resonant.
A prime example of an artist whose work exemplifies the 'installation' quality within Art Brut is the Swiss artist Armand Schulthess (1901–1972). In the 1950s, Schulthess transformed his 18,000 m² property in Ticino into a vast 'cosmogonic garden' or 'encyclopedic garden.' This incredible outdoor environment featured a network of paths, bridges, and stairs, adorned with thousands of suspended objects and metal plates. These plates were engraved with inscriptions spanning an encyclopedic range of knowledge, from science and philosophy to literature, often in multiple languages.
While much of his original garden was tragically destroyed after his death, the Collection de l’Art Brut preserves some of his illustrated books and other significant pieces, offering a window into his unique world. His work represents the ultimate form of a personal 'installation' – an entire domain dedicated to externalizing an internal quest for knowledge and order. The museum's exhibitions often feature such comprehensive works, inviting exploration into these artists' self-created realities.
For visitors, engaging with the 'Artist Installations' at the Collection de l’Art Brut is an experience that transcends mere observation. It is an encounter with the raw, untamed spirit of human creativity. As you move through the museum, you're not just looking at art; you are stepping into the artists' minds, witnessing their obsessions, visions, and profound desire to create a world of their own. The sheer originality and emotional depth of these works can be stimulating, intriguing, and sometimes even disturbing, offering a powerful reflection on what it means to create without societal constraints. It's an opportunity to challenge preconceived notions of art and to connect with the authentic, often poignant, expressions of individuals who found their voice through creation.
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